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The MSO: Bringing Political Resonance to 20th Century Works

‘Shostakovich and Stalin,’ by Solomon Volkov ( Knopf, 2004), details the composer’s troubled relations with authoritarian state power. It was impressive to see just how many listeners braved the icy roads last Saturday to attend the Memphis Symphony Orchestra’s formidable “Percussion Explosion” concert at the Cannon Center. And it was heartening to know that the […]

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