In January 1989, Steven Soderbergh’s sex, lies, and videotape won the Audience Award for best feature at the Sundance Film Festival, kicking off the modern Indie film movement. To audiences, “Indie” usually means quirky, low-budget, character-driven fare that is more like the auteurist films of the 1970s than contemporary Hollywood’s designed-by-committee product. But “Indie” originally […]